Gauges 009-011-016-026-036-046 Super Tops Regular Bottoms Gauge ProPack
D'Addario XL Electric Guitar strings are world-renowned as "The Player's Choice" amongst guitar players of all genres and styles. XL strings are wound with nickel-plated steel, known for it's distinctive bright tone and excellent intonation.
EXL158 Baritone Guitar Light .013-.062
D'Addario XL Nickel Wound Electric Guitar strings are world-renowned as "The Player's Choice" amongst players of all genres and styles. XL's are precision wound with nickelplated steel on a hex-shaped core, resulting in strings with a distinctive bright tone and excellent intonation. XL158s are designed to suit most modern electric baritone guitars or can be used for deep drop tuning on most standard guitars.
Designed specifically for alternative tunings such as Drop D, Drop C and Drop C#, Cleartone Monster Heavy Series sets feature heavier gauge strings for that extra tension you need.
Cleartone Electric Strings may have a coating of only one micron, but it's more durable than coatings thousands of times its thickness. It won't flake off with hard playing, nor will it feel slick or slippery to your touch. Super-high tension winding over a hex-core is used to maintain tuning consistency throughout your performance. EMP Treatment is then applied to all the strings (including plain strings) to ensure longest tonal life without compromises.
Olim Karimov
The POD HD500 is the latest in Line 6's line of legendary amp modeling and effects processors. It features a built in expression pedal, 24 second looper, 128 user presets, 512 factory presets and the best sounding effects and amp models that Line 6 has ever released
Features
- 16 HD Amp Models
- 100+ Effect Models
- Up to 8 Simultaneous Effects
- 512 Preset Locations
- 48-second Looper
- 1/4" Guitar Input
- 1/4" Aux Input
- XLR Input + Microphone Preamp
- Variax Digital Input (VDI)
- MP3/CD Input
- Unbalanced 1/4" Outputs
- Balanced XLR Outputs
- 1/4" Stereo Headphone Output
- S/PDIF Output
- 1/4" Stereo FX Send/Return
- 5-Pin MIDI Input + Output/Thru
- Expression Pedal
- Aux Expression Pedal Jack
- Chromatic Tuner
- Tap Tempo
- Assignable MIDI Footswitch Controls
- USB
- L6 LINK™
- Software Editor/Librarian
- Metal Chassis, Pedal and Footswitches
The AMT B1 Distortion
Olim Karimov
The AMT Legend Amps Series B1 Distortion Guitar Effects Pedal creates superior high gain quality distortion, as found in the Bogner Sharp Channel Amplifier*. The sound of the AMT B1 is monstrous in tone, aggression, and provides massive amounts of gain. Thunderous lows, screaming highs, and scoopable mids leave you with unbeatable heavy distortion sounds.
AMT Legend Amps is a new revolutionary series of one-channel preamps from AMT Electronics, developed with a new approach to guitar sound formation. Original circuitry was used to produce analog modeling of the physical processes occurring in real vacuum tubes. AMT Legend Amps possess a number of unique features found in real tube preamps and amplifiers:
Preamps included into AMT Legend Amps series provide excellent playing dynamics characteristic to real tube-based devices and are in no way inferior to them.
With the limitation range similar to tube channel the preamps of the series ensure terrific thickness and power to the resulting sound. Working with AMT Legend Amps preamps you wont feel the urge to cut out the most informative middle frequencies, which in turn will provide great readability of your guitar in the sound mix.
Like tube preamps AMT Legend amps provide gradual increase of the limiting stages number as the gain grows.
The series preamps use passive circuits of tone shaping which are in full conformity with the tone controls during original tube overdrives.
Ibanez TS9 Tubescreamer
Olim Karimov
Cast your unique musical spell with the Ibanez TS9. With an input impedance of 500K ohms and an output impedance of 10K ohms, this Ibanez guitar pedal ensures optimum performance. With less than -100 dBm input noise, this Ibanez effect pedal gives out a clear sound output. The 3 control knobs on this Ibanez guitar pedal offer the much needed flexibility of choosing your sound output. With a current draw of 9 V DC, this Ibanez effect pedal is sufficient to give you a power-packed performance. The Ibanez TS9 allows you to distort, sustain, and twist the tone.
The Boss RV-5 Digital Reverb gives you six high-quality reverb modes on a par with rackmount processors costing many times as much. First-of-its-kind Modulate mode detunes the reverb sound for added spaciousness. Spring reverb emulation offers realistic spring reverb sounds. Gate reverb taken from high-end Roland studio gear. Level, tone, time, and mode controls.
Features
- 6 high-quality reverb modes
- Modulate mode detunes the reverb sound
- Spring reverb emulation
- Gate reverb
- Level, tone, time, and mode controls
The BOSS DD-7 Digital Delay is a guitar effects pedal that takes the best features from its predecessors and expands their creative potential. You get Modulation Delay mode, classic modeled Analog Delay mode, External pedal control options, longer delay time, and more. Even with the best-selling delays in compact-pedal history, BOSS continues to push the envelope and innovate.
Expanded Delay Time
Up to 6.4 seconds of delay time are available with the DD-7, a marked increase from its predecessor. In addition, Hold mode allows up to 40 seconds of input to be recorded for creating "sound on sound" performances.
Delay Modes
The BOSS DD-7 pedal is equipped with two innovative and advanced delay modes. Modulation Delay provides chorus-flavored sounds. Analog Delay offers a modeled simulation of the classic BOSS DM-2, beloved for its characteristic warmth.
External Control
For handsfree control of the DD-7 pedal, an external footswitch and Expression pedal (sold separately) can be used. Tap tempo can be controlled from an external footswitch, while delay time, feedback, and effect level can be changed on the fly via Expression pedal.
Stereo Output
Create amazing effects with the BOSS DD-7 pedal's stereo output, such as spatial audio sweeps via true stereo panning. You can also use the stereo outputs to create separate dry and wet signal paths -- handy for recording and live-performance control.
Features
- Expanded delay time, up to 6.4 seconds
- Modulation Delay mode offers natural, chorus-type sounds
- Analog Delay mode models the classic warm BOSS DM-2 analog delay sound
- Tap tempo controllable via external footswitch
Great things come in small packages! Shape your sound effortlessly and eliminate feedback with 7 EQ bands. Tackle frequencies ranging from 100Hz to 6.4kHz with a powerful 15 dB boost/cut per band. This Behringer product has been designed to compete head to head with leading products on the market. Behringer has included a status LED for effect On/Off and battery check, and you can run your EQ700 on a 9 V battery or a DC power supply (not included). For absolutely noise-free operation, a first-class electronic On/Off switch is integrated.
Features
- Shape your sound and eliminate feedback with 7 bands of equalization
- Wide frequency range from 100 Hz to 6.4 kHz with a powerful 15dB boost/cut per band
Dunlop The Original Crybaby GCB95 Wah
Olim Karimov
When people talk about wah-wah pedals, they’re talking about the Cry Baby Wahs. This is the one that created some of the most timeless sounds in rock. The pedal that would eventually become the Cry Baby was first created in 1966 by engineers at the Thomas Organ Company. This new and expressive effect was an instant hit with players like Jimi Hendrix and Eric Clapton, who have contributed to the Cry Baby Wah’s huge popularity to this day. While other effects have come and gone, the Cry Baby Wah just keeps getting better with age
The Next Standard
Since introducing our 505 pedal in 1996, Zoom compact multi-effect processors have been highly acclaimed by guitarists all over the world. Representing the next standard for expressive tone in any style, Zoom is pleased to introduce the all-new G1XN
All-New Drive Sounds
The first thing you notice with the G1XN is its totally new drive sounds that were developed using the state-of-the-art ZFX modeling technology. Featuring 15 amp and stomp-box models that faithfully replicate every detail of the classics, from gain settings to harmonic character, the G1XN delivers natural expression from nuanced playing to total bone-sizzling shreds. And the new, original amp models designed especially by Zoom for the G1XN will amaze.
Zoom B2
A combination of 24-bit/96 kHz sampling and 32-bit signal processing gives your bass the power and clarity to punch through the mix, whether live or on disc. Any frequency that gets away from you can easily be reined in using either the six-band linear equalizer or the two-band parametric EQ.
The history-making sounds that are faithfully modeled in the B2 include famous amps and infamous stomp boxes, a tube pre-amp, and a bass synth. If the bass sound you're after has rocked the world at one time or another, it's in here. Augmenting these classic sounds are a massive suite of 47 effects, nine of which can be used simultaneously.
To make live performance seamless, the B2 features an extremely fast 8ms switchover time when changing patches. This, combined with extremely quiet operation and ease of editing, make the modeled tones and effects as easy to work with as they are to listen to. And when it's time to woodshed, the built-in tuner and drum machine streamline the process, so you can use your time practicing instead of setting up and breaking down.
Encased in a high-quality metal chassis with rubber damping, the B2 delivers versatile, high-quality features and construction with the attention to detail demanding bassists expect.
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